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The title of the album comes from a line in the song "By the Way". The title refers to the "scars and souvenirs," or the ups and downs of one's lifetime, as a large majority of the songs on the album deal with things like relationships and obstacles that one might encounter during his or her life.
For their first five studio albums, Theory of a Deadman's music was a combination of post-grunge, hard rock, alternative rock, and alternative metal, blended with elements of country music. [12] With the release of their sixth studio album, Wake Up Call (2017), the band reinvented themselves with a shift toward a genre that was aligned more ...
Theory of a Deadman discography Theory of a Deadman performing at the 2013 Festival of Friends Studio albums 8 EPs 1 Singles 38 Music videos 27 The Canadian rock band Theory of a Deadman has released eight studio albums, one extended play (EP), thirty-seven singles, and twenty-six music videos. The band was formed in 1999 in Delta, British Columbia, by Tyler Connolly (lead vocals and guitars ...
Theory of a Deadman (abbreviated as Theory or T.O.A.D) is a Canadian rock band from North Delta, British Columbia. Formed in 1999, the band is currently signed to Roadrunner Records as well as 604 Records. The band's music has hints of various music styles, such as country and acoustic, in addition to their post-grunge and alternative rock ...
Say Nothing is the seventh studio album by Canadian rock band Theory of a Deadman, released on January 31, 2020, through 604 Records in Canada and Atlantic and Roadrunner Records in the United States. The record contains lyrics about such issues as domestic violence and racism.
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"Drown" is notably darker lyrically and in sound than most of the band's songs. Vocalist Tyler Connolly explains the song is about being alone and letting yourself be defeated or "washed away" rather than making the difficult stand to "rise to the surface."
"A Simple Desultory Philippic (Or How I Was Robert McNamara'd Into Submission)" is a song written by American singer-songwriter Paul Simon. Originally recorded for Simon's 1965 UK-only debut, The Paul Simon Songbook, it was recorded soon after by Simon and his partner, Art Garfunkel, for the duo's third album Parsley, Sage, Rosemary and Thyme.