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Sousa's birthplace on G St., S.E. in Washington, D.C. John Philip Sousa was born in Washington, D.C., the third of 10 children of João António de Sousa (John Anthony Sousa) (September 22, 1824 – April 27, 1892), who was born in Spain to Portuguese parents, and his wife Maria Elisabeth Trinkhaus (May 20, 1826 – August 25, 1908), who was German and from Bavaria.
Out of Work (1880) Tyrolienne (1880) Under the Eaves (1880) The Blending of the Blue and the Gray (1887) Songs of Grace and Glory (1892) The Salute of the Nations (1893) Rose, Thistle and Shamrock (1901) In the Realm of the Dance (1902) A Day at Great Lakes (1915) On the 5:15 (1916) In Pulpit and Pew (1917) A Study in Rhythms (1920)
John Philip Sousa was an American composer and conductor of the late Romantic era known primarily for American military marches. [1] He composed 136 marches from 1873 until his death in 1932. [ a ] [ 2 ] He derived a few of his marches from his other musical compositions such as melodies and operettas .
John Philip Sousa protégé Bohumir Kryl's Bohemian Band was frequently seen on the circuit. One of the numbers Kryl featured was the "Anvil Chorus" from Il Trovatore, with four husky timpanists in leather aprons hammering on anvils shooting sparks (enhanced through special effects) across the darkened stage.
John Philip Sousa: The operetta is mostly derived from Sousa's previous operettas like The Smugglers and The Wolf. Author Paul E. Bierley attributes to The Bride Elect the "misfortune of falling in the wake of the highly successful El Capitan". Sousa's later march of the same title was more successful than the operetta. Hyperion Theater, New Haven
El Capitan is an operetta in three acts by John Philip Sousa and has a libretto by Charles Klein (with lyrics by Charles Klein and Tom Frost). The piece was Sousa's first successful operetta and his most successful stage work. The march "El Capitan" became a standard work both for symphonic/wind bands and a crossover into other genres.
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The opening strain of the march is famous and familiar to many. Typically, the march is played at a tempo of 110 to 120 beats per minute, rarely any faster. March enthusiasts have argued that the trio sections' mellow and moving phrases are among Sousa's most musical. Six sudden eighth notes move the melody along.