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Chromatic scale drawn as a circle The diatonic scale notes (above) and the non-scale chromatic notes (below) [2] The twelve notes of the octave—all the black and white keys in one octave on the piano—form the chromatic scale. The tones of the chromatic scale (unlike those of the major or minor scale) are all the same distance apart, one ...
Melodies can be based on a diatonic scale and maintain its tonal characteristics but contain many accidentals, up to all twelve tones of the chromatic scale, such as the opening of Henry Purcell's "Thy Hand, Belinda" from Dido and Aeneas (1689) with figured bass), which features eleven of twelve pitches while chromatically descending by half steps, [1] the missing pitch being sung later.
Chromatic fourth: lament bass bassline in Dm (D–C ♯ –C(♮)–B–B ♭ –A) The diatonic scale notes (above) and the non-scale chromatic notes (below) [1] Chromaticism is a compositional technique interspersing the primary diatonic pitches and chords with other pitches of the chromatic scale. In simple terms, within each octave ...
This scale is known as the Pythagorean diatonic and is the scale that Plato adopted in the construction of the world soul in the Timaeus (36a-b). [12] The next notable Pythagorean theorist known today is Archytas, contemporary and friend of Plato, who explained the use of arithmetic, geometric and harmonic means in tuning musical instruments.
The modern keyboard is designed for playing a diatonic scale on the white keys and a pentatonic scale on the black keys. Chromatic scales involve both. Three immediately adjacent keys produce a basic chromatic tone cluster.
Thus the intervals between scale degrees are symmetrical if read from the "top" (end) or "bottom" (beginning) of the scale (mirror symmetry). Examples include the Neapolitan Major scale (fourth mode of the Major Locrian scale), the Javanese slendro , [ 4 ] the chromatic scale , whole-tone scale , Dorian scale, the Aeolian Dominant scale (fifth ...
"Mirror forms", P, R, I, and RI, of a tone row (from Arnold Schoenberg's Variations for Orchestra Op. 31, "Called mirror forms because...they are identical". [1]In music, a tone row or note row (German: Reihe or Tonreihe), also series or set, [2] is a non-repetitive ordering of a set of pitch-classes, typically of the twelve notes in musical set theory of the chromatic scale, though both ...
The xaphoon is similar to the chalumeau, a European keyless single-reed instrument that was the ancestor of the clarinet, and has a comparable range. Although it has a complete chromatic scale, the maker considers it a primarily diatonic instrument, capable of playing well in a small number of keys. [2]