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"Harlem" (also known as "A Dream Deferred") [2] is a poem by Langston Hughes. These eleven lines ask, "What happens to a dream deferred?", providing reference to the African-American experience. It was published as part of a longer volume-length poem suite in 1951 called Montage of a Dream Deferred , but is often excerpted from the larger work.
Her poems were usually short, simple and imbued with sentimentality, the beauty of nature and inner strength. She was also a successful lyricist, composing English words for the tango "Jealousy" and " The Dream of Olwen ", and an author of several books dealing with Christianity and practical psychology .
The medieval manuscript of The Dream of the Rood. The Dream of the Rood is one of the Christian poems in the corpus of Old English literature and an example of the genre of dream poetry. Like most Old English poetry, it is written in alliterative verse. The word Rood is derived from the Old English word rōd 'pole', or more specifically 'crucifix'.
The aisling (Irish for 'dream' / 'vision', pronounced [ˈaʃl̠ʲəɲ], approximately / ˈ æ ʃ l ɪ ŋ / ASH-ling), or vision poem, is a mythopoeic poetic genre that developed during the late 17th and 18th centuries in Irish language poetry. The word may have a number of variations in pronunciation, but the is of the first syllable is always ...
Acrostic: a poem in which the first letter of each line spells out a word, name, or phrase when read vertically. Example: “A Boat beneath a Sunny Sky” by Lewis Carroll. Concrete (aka pattern): a written poem or verse whose lines are arranged as a shape/visual image, usually of the topic. Slam; Sound; Spoken-word; Verbless poetry: a poem ...
On the other hand, the form of visions is taken over by courtly chivalrous poetry in folk languages: visions here acquire a new content, becoming a frame of love-didactic allegory — such as, for example, "Fabliau dou dieu d'amour" (the Story of the God of love), " Venus la déesse d'amors" (Venus — the goddess of love) and finally-the ...
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The work begins with a poem in which Chaucer speculates on the nature and causes of dreams. He claims that he will tell his audience about his "wonderful" dream "in full". Chaucer then writes an invocation to the god of sleep, asking that none, whether out of ignorance or spite, misjudge the meaning of his dream.