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Colorants (both dyes and pigments) are listed using a dual classification which use the Colour Index Generic Name (the prime identifier) and Colour Index Constitution Numbers. These numbers are prefixed with C.I. or CI, for example, C.I. Acid Orange 7 or C.I. 15510. (This abbreviation is sometimes mistakenly thought to be CL, due to the font ...
Aureolin (sometimes called cobalt yellow) is a pigment sparingly used in oil and watercolor painting.Its color index name is PY40 (40th entry on list of yellow pigments). It was first made in 1831 by Nikolaus Wolfgang Fischer in Breslau characterizing it as "Doppelsalze" or double-salts [1] and its chemical composition is potassium cobaltinitri
Arsenic pigments. Orpiment: natural monoclinic arsenic sulfide (As 2 S 3). Bismuth pigments. Primrose yellow (PY184): bismuth vanadate (BiVO 4). Cadmium pigments. Cadmium yellow (PY37): cadmium sulfide (CdS), which also occurs as the mineral greenockite. Chromium pigments. Chrome yellow or crocoite (PY34): lead chromate (PbCrO 4). Strontium ...
Van Dyke (Vandyke) brown, also known as Cassel earth or Cologne earth, is a deep, rich, and warm brown colour often used in painting and printmaking. Early publications on the pigment refer to it as Cassel (or Kassel) earth or Cologne earth in reference to its city of origin; however, today it is typically called Van Dyke brown after the painter Anthony van Dyck.
Gouache (/ ɡ u ˈ ɑː ʃ, ɡ w ɑː ʃ /; French:), body color, [a] or opaque watercolor is a water-medium paint consisting of natural pigment, water, a binding agent (usually gum arabic or dextrin), [1] and sometimes additional inert material. Gouache is designed to be opaque. Gouache has a long history, having been used for at least twelve ...
A wash of diluted ink or watercolor paint applied in combination with drawing is called pen and wash, wash drawing, or ink and wash. [ citation needed ] Normally only one or two colours of wash are used; if more colours are used the result is likely to be classified as a full watercolor painting .
Rose madder genuine, sometimes used to specify a paint derived from the root of the madder plant in the traditional manner [14] It is still manufactured and used by some, but is too fugitive for professional artistic use. [4] Rose madder hue, sometimes used to specify a paint made from other pigments but meant to approximate the color of rose ...
The pigment is the highest volume pigment produced. [19] All major artists' pigment manufacturers produce variants of copper phthalocyanine, designated color index PB15 (blue) [20] and color indexes PG7 and PG36 (green). [21] A common component on the artist's palette, phthalo blue is a cool blue with a bias towards green.