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Billy used a special tuning when performing on live broadcasts and theatres. He tuned the third string an octave higher to make the ukulele stand out over the orchestra. He used a violin E string for this purpose. His instruments of choice was an Abbbott Monarch ukulele when performing on stage.
The ukulele (/ ˌ juː k ə ˈ l eɪ l i / yoo-kə-LAY-lee; from Hawaiian: ʻukulele [ˈʔukuˈlɛlɛ]), also called a uke, is a member of the lute family of instruments. The ukulele is of Portuguese origin and was popularized in Hawaii. The tone and volume of the instrument vary with size and construction. Ukuleles commonly come in four sizes ...
The limitations of the ukulele causes the orchestra to think creatively about how to cover a musical piece, popular tunes are broken down to their constituent parts and then with each musician sticking a distinct part, the combination of different soprano, tenor, baritone and bass registers of ukuleles are used (with separate members playing ...
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
This is a list of ukulele players. These musicians and bands are well known for playing the ukulele as their primary instrument and have an associated linked Wikipedia article. It is not intended for everyone that can play the instrument.
The primary statement begins with the chord of E (I tonic) on "He's a real" and then involves a 5–4–3–2–1 pitch descent between the B (V dominant) chord on "nowhere man" and A (IV subdominant) chord on "sitting in"; a twist comes where Am (iv minor) replaces A in the final line ("nowhere plans") and the simultaneous G ♯ note melody ...
In these chords, tones that might normally be considered nonchord tones are viewed as chord tones, such as the seventh of a minor seventh chord. For example, in 1940s-era bebop jazz, an F ♯ played with a C 7 chord would be considered a chord tone if the chord were analyzed as C 7(♯ 11).
Following its appearance on Sweetheart of the Rodeo, "You Ain't Goin' Nowhere" would go on to become a staple of the Byrds' live concert repertoire, until their final disbandment in 1973. [30] The Byrds re-recorded "You Ain't Goin' Nowhere" in 1971 with Earl Scruggs , as part of the Earl Scruggs, His Family and Friends television special, and ...