Search results
Results From The WOW.Com Content Network
The Japanese sword has existed since the Nara period (710–794), where techniques to draw the sword have been practiced under other names than 'iaijutsu'. [3] The term 'iaijutsu' was first verified in connection with Iizasa Chōisai Ienao (c. 1387 – c. 1488), founder of the school Tenshin Shōden Katori Shintō-ryū .
Page of the Codex Wallerstein showing a half-sword thrust against a Mordhau move (Plate 214). In the German school of swordsmanship, Mordhau, alternatively Mordstreich or Mordschlag (in German literally "murder-stroke" or "murder-strike" or "murder-blow"), is a half-sword technique of holding the sword inverted, with both hands gripping the blade, and hitting the opponent with the pommel or ...
Iaido is for the most part performed solo as an issue of kata, executing changed strategies against single or various fanciful rivals. Every kata starts and finishes with the sword sheathed. Regardless of the sword method, creative ability and concentration are required to maintain the feeling of a genuine battle and to keep the kata new.
Battōjutsu (抜刀術, battō-jutsu, 'craft of drawing out the sword') is an old term for iaijutsu (居合術). Battōjutsu is often used interchangeably with the terms iaijutsu and battō (抜刀). [1] Generally, battōjutsu is practiced as a part of a classical ryū and is closely integrated with the tradition of kenjutsu.
The curriculum of Mugai-ryū consists of 10 techniques with a long sword and 3 techniques with a short sword. [3] Later, the techniques for duels ( shiaiguchi 試合口) were also added. An analysis of the techniques present in Mugai-ryū shows a clear influence of Ittō-ryū , so either the Yamaguchi-ryū studied by Tsuji was a derivation of ...
Swordsmanship or sword fighting refers to the skills and techniques used in combat and training with any type of sword. The term is modern, and as such was mainly used to refer to smallsword fencing , but by extension it can also be applied to any martial art involving the use of a sword.
The basic technique is to hold the sword in a high version of hasso-no-kamae called tonbo-no-kamae (蜻蛉構 Dragonfly Stance), with the sword held vertically above the right shoulder. The attack is then done by running forward at your opponent and then cutting diagonally down on their neck.
Thibault describes a unique method of gripping the sword which allows for many of his other techniques. Whereas Thibault's contemporaries tended to grasp a sword with one or two fingers wrapped around the fore quillon, inside the finger ring aligned with the sword's true edge, [ citation needed ] Thibault's grip involves resting the ricasso on ...