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Daemonologie—in full Dæmonologie, In Forme of a Dialogue, Divided into three Books: By the High and Mightie Prince, James &c.—was first published in 1597 [1] by King James VI of Scotland (later also James I of England) as a philosophical dissertation on contemporary necromancy and the historical relationships between the various methods of divination used from ancient black magic.
Although most victims of the witch trials in early modern Scotland were women, some men were executed as warlocks. [9] [10] [11]In his day, the Scottish mathematician John Napier (1550–1617) was often perceived as a warlock or magician because of his interests in divination and the occult, though his establishment position likely kept him from being prosecuted.
Andrealphus [5] (also Androalphus) appears as the 54th demon in Johann Weyer's tome on demonology Pseudomonarchia Daemonum and is described as a great Marquis with the appearance of a peacock who raises great noises and teaches cunning in astronomy, and when in human form also teaches geometry in a perfect manner. He is also described as ruling ...
Demonology is the study of demons within religious belief and myth. Depending on context, it can refer to studies within theology, religious doctrine, or occultism. In many faiths, it concerns the study of a hierarchy of demons. Demons may be nonhuman separable souls, or discarnate spirits which have never inhabited a body.
Grimoires are fundamentally books that will supposedly grant their users magical powers, which date back to ancient times. In several of these books, rituals designed to help summon spirits are found. [1]
The text, composed in Latin, is largely concerned with demonology and necromancy. Richard Kieckhefer edited the text of the manuscript in 1998 under the title Forbidden Rites: A Necromancer's Manual of the Fifteenth Century.
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Letters on Demonology and Witchcraft Addressed to J. G. Lockhart, Esq. (1830) was a study of witchcraft and the supernatural by Sir Walter Scott. A lifelong student of folklore, Scott was able to draw on a wide-ranging collection of primary and secondary sources.