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English: Christian Dior evening ensemble, "Zémire," H Line, Fall-Winter 1954. Red cellulose acetate satin. Red cellulose acetate satin. Ballgown skirt, separate bodice, long jacket, and petticoat with white boned corset bodice and red crinoline skirt.
Evening dress and evening glove by Dior, silk taffeta, 1954. Indianapolis Museum of Art. Natalie Wood (center, with Tab Hunter) and Louella Parsons wear ballerina-length evening dresses at the Academy Awards, 1956. With his revolutionary New Look, Christian Dior wrote a new chapter in the history of fashion.
The "New Look" revolutionized women's dress, reestablished Paris as the centre of the fashion world after World War II, [34] [35] and made Dior a virtual arbiter of fashion for much of the following decade. [36] Dior's collection was an inspiration to many women post-war and helped them regain their love for fashion. [9]
[3] [7] This was Dior's intention, as he aimed to "mark a departure" from the simplistic fashions of wartime years. [7] The raffia elements were in line with trends of the 1950s, with the dress embodying Dior's New Look, which reintroduced feminine features and voluminous skirts in a post-World War II era.
Jacques Fath (6 September 1912 in Maisons-Laffitte, France – 13 November 1954 in Paris, France) [1] [2] was a French fashion designer who was considered one of the three dominant influences on postwar haute couture, the others being Christian Dior and Pierre Balmain. [3] The playwright Georges Fath was his great-grandfather.