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Joseph Moiseyevich Schillinger (Russian: Ио́сиф Моисе́евич Ши́ллингер; 1 September [O.S. 20 August] 1895 [1] [2] (other sources: 31 August [O.S. 19 August] 1895 [3]) – 23 March 1943) was a composer, music theorist, and composition teacher who originated the Schillinger System of Musical Composition.
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The Oxford Companion to Music describes three interrelated uses of the term "music theory": The first is the "rudiments", that are needed to understand music notation (key signatures, time signatures, and rhythmic notation); the second is learning scholars' views on music from antiquity to the present; the third is a sub-topic of musicology ...
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This article is within the scope of WikiProject Music theory, a collaborative effort to improve the coverage of music theory, theory terminology, music theorists, and musical analysis on Wikipedia. If you would like to participate, please visit the project page, where you can join the discussion and see a list of open tasks.
According to music theorist Ian Bent, music analysis "is the means of answering directly the question 'How does it work?'". [2] The method employed to answer this question, and indeed exactly what is meant by the question, differs from analyst to analyst, and according to the purpose of the analysis.
Philosophy of music is the study of "fundamental questions about the nature and value of music and our experience of it". [1] The philosophical study of music has many connections with philosophical questions in metaphysics and aesthetics.
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