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List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual 15 equal temperament: 15-tet scale on C. Play ⓘ — — — 15 — — — 16 equal temperament: 16-tet scale on C. Play ⓘ — — — 16 — — 17 equal temperament ...
By the early 19th century, the word "mode" had taken on an additional meaning, in reference to the difference between major and minor keys, specified as "major mode" and "minor mode". At the same time, composers were beginning to conceive "modality" as something outside of the major/minor system that could be used to evoke religious feelings or ...
[17] Originally published as "Preludes for the Harpsichord or Piano-Forte in All the Keys Flat and Sharp" Étienne Ozi: Nouvelle méthode de basson: bassoon 1787 Also, for two bassoons; or bassoon and cello or double bass [18] Ludwig van Beethoven: 2 Preludes through all 12 Major Keys, Op. 39 piano 1789 [h] [19] Prelude No. 1 includes both C# ...
The circular arrangement depends on enharmonic relationships in the circle, usually reckoned at six sharps or flats for the major keys of F ♯ = G ♭ and D ♯ = E ♭ for minor keys. [3] Seven sharps or flats make major keys (C ♯ major or C ♭ major) that may be more conveniently spelled with five flats or sharps (as D ♭ major or B major).
Within the diatonic modes of the major scale, in addition to the Aeolian mode (which is the natural minor scale), the Dorian mode and the Phrygian mode also fall under this definition. Conversely, the Locrian mode has a minor third, but a diminished fifth (thus containing a diminished triad ), and is therefore not commonly referred to as a ...
Transposition is done by moving all intervals up or down a certain constant interval, and does change the key but not the mode, which requires the alteration of intervals. The use of triads only available in the minor mode, such as the use of A ♭ -major in C major, is relatively decorative chromaticism , considered to add color and weaken the ...
Key coloration is the difference between the intervals of different keys in a single non-equal tempered tuning, and the overall sound and "feel" of the key created by the tuning of its intervals. Historical irregular musical temperaments usually have the narrowest fifths between the diatonic notes ("naturals") producing purer thirds , and wider ...
The Aeolian mode is the sixth mode of the major scale, that is, it is formed by starting on the sixth degree of the major scale. For example, if the Aeolian mode is used in its all-white-note pitch based on A, this would be an A-minor triad, which would be the submediant in the relative major key of C major.