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Shinya Yanagi (柳晋哉, born 1987, Tokyo) is a Japanese artisan specializing in tsumugi dyeing and weaving. He is the grandson of the weaver Yoshihiro Yanagi, who is the nephew of Sōetsu Yanagi, who is known as the father of the Mingei (Folk Craft) Movement, and the son of Sou Yanagi, the second-generation head of the Yanagi Dyeing and Weaving Workshop.
Japanese pottery and porcelain, one of the country's oldest art forms, dates back to the Neolithic period. Kilns have produced earthenware, pottery, stoneware, glazed pottery, glazed stoneware, porcelain, and blue-and-white ware. Japan has an exceptionally long and successful history of ceramic production.
Department of Textiles; Harold B. Lee Library (1919-1920) Guide to the Japanese textiles: Costume, 2, London : Printed under the authority of H. M. Stationery Office Volume I: Textile fabrics Volume II: Costume
WAJIMA, Japan (Reuters) - Kohei Kirimoto, an 8th-generation lacquerware artisan, walked through the ruins of his century-old workshop in the Japanese coastal town of Wajima on Thursday, concerned ...
Meisen cloth, probably 1950s Meisen (銘 （ めい ） 仙 （ せん ）, lit. ' common silk stuff ') is a type of silk fabric traditionally produced in Japan ; it is durable, hard-faced, and somewhat stiff, with a slight sheen, : 79 and slubbiness is deliberately emphasised. Meisen was first produced in the late 19th century, and became widely popular during the 1920s and 30s (late- Taishō ...
Ikebana (生け花, 活け花, ' arranging flowers ' or ' making flowers alive ') is the Japanese art of flower arrangement. [1] [2] It is also known as kadō (華道, ' way of flowers '). The origin of ikebana can be traced back to the ancient Japanese custom of erecting evergreen trees and decorating them with flowers as yorishiro to invite ...
A ninth century Japanese artisan named Shimaki no Fubito claimed to have improved on a version of the weapon used by the Chinese; his version could rotate and fire projectiles in multiple directions. [ 3 ] [ 4 ] The last recorded use of the Oyumi was in 1189.
Kakiemon (Japanese: 柿右衛門様式, Hepburn: Kakiemon yōshiki) is a style of Japanese porcelain, with overglaze decoration called "enameled" ceramics. It was originally produced at the factories around Arita, in Japan's Hizen province (today, Saga Prefecture) from the Edo period's mid-17th century onwards. [1]