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Dawkins described it as "the head and fore quarters of a horse incised on a smoothed and rounded fragment of rib, cut short off at one end and broken at the other. On the flat side, the head is represented with the nostrils and mouth and neck carefully drawn. A series of fine oblique lines show that the animal was hog-maned.
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You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made.
It forms the "forearm" of the horse along with the ulna. Ulna: caudal to the radius, it is fused to that bone in an adult horse. Shoulder joint (scapulohumeral joint): usually has an angle of 120-130 degrees when the horse is standing, which can extended to 145 degrees, and flexed to 80 degrees (such as when the horse is jumping an obstacle).
Draw reins in the western riding disciplines are always attached to the rings of the cinch (a western-style girth), usually on each side of a western saddle, run through the bit rings (either inside to outside or vice versa, there is no firm rule, though the rein moves more smoothly if the inside goes to the girth and the outside to the hand), and then to the hands of the rider.
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The Equestrian Portrait of Charles I (also known as Charles I on Horseback) is a large oil painting on canvas by Anthony van Dyck, showing Charles I on horseback. Charles I had become King of England, Scotland and Ireland in 1625 on the death of his father James I, and Van Dyck became Charles's Principal Painter in Ordinary in 1632.