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The instrument was shaped essentially like a violin, but with a wider fingerboard and flatter bridge. Generally, it had seven strings, five of them tuned like a violin with a low d added to the bottom (that is, d–g–d'–a'–e'') with two strings off the fingerboard which served as drones and were usually tuned in octaves. [ 3 ]
A madrigal is a form of secular vocal music most typical of the Renaissance (15th–16th centuries) and early Baroque (1600–1750) [citation needed] periods, although revisited by some later European composers. [1]
Long String Instrument, (by Ellen Fullman, strings are rubbed in, and vibrate in the longitudinal mode) Magnetic resonance piano , (strings activated by electromagnetic fields) Stringed instruments with keyboards
The string "courses", unlike those of a Renaissance lute or archlute, were often single, although double stringing was also used. Typically, theorbos have 14 courses, though some used 15 or even 19 courses . This is theorbo tuning in A. Modern theorbo players usually play 14-course (string) instruments (lowest course is G).
The cittern or cithren (Fr. cistre, It. cetra, Ger. Cister, Sp. cistro, cedra, cítola) [1] is a stringed instrument dating from the Renaissance.Modern scholars debate its exact history, but it is generally accepted that it is descended from the medieval citole (or cytole).
The vielle / v i ˈ ɛ l / is a European bowed stringed instrument used in the medieval period, similar to a modern violin but with a somewhat longer and deeper body, three to five gut strings, and a leaf-shaped pegbox with frontal tuning pegs, sometimes with a figure-8 shaped body.
As players of string instruments and lovers of unconventional, non-vocal music, that 1996 album resonated with each of them. “I had been trying to find somewhere to go with my violin and I didn ...
Rondalla Alginet, beginning 1900's. The rondalla has its origins in the folk playing bands from Spain that were forerunners of the present-day rondalla and included four types: groups of young men who played and sang regularly in front of homes, bands of musicians known as murza or murga who begged for alms, a group of musicians known as comparza who played on stage, and groups of university ...