Ads
related to: stringed instrument for a madrigal music
Search results
Results From The WOW.Com Content Network
The inner voices became secondary to the soprano and the bass line; functional tonality developed, and treated dissonance freely for composers to emphasise the dramatic contrast among vocal groups and instruments. The 17th-century madrigal emerged from two trends of musical composition: (i) the solo madrigal with basso continuo; and (ii) the ...
La musica (Music) Dal mio Parnasso amato a voi ne vegno ("From my beloved Parnassus I come to you") A ritornello for strings plays at the beginning and ending of the prologue, and between its verses. Act 1 Pastore secondo (Second shepherd) In questo lieto e fortunato giorno ("On this gay, happy day")
The Trecento Madrigal is an Italian musical form of the 14th century. It is quite distinct from the madrigal of the Renaissance and early Baroque , with which it shares only the name. The madrigal of the Trecento flourished ca. 1340–1370 with a short revival near 1400.
Long String Instrument, (by Ellen Fullman, strings are rubbed in, and vibrate in the longitudinal mode) Magnetic resonance piano , (strings activated by electromagnetic fields) Stringed instruments with keyboards
Rebec player with 3-string instrument Rabel or possibly rebec. Line around edge of soundboard indicates this instrument had a skin soundboard. 11th century A.D. Rebec or fiddle from Harley manuscript 4951, folio 297V in the British Library. 1330 A.D. Pamplona Cathedral. Rebec player with 2-string instrument. Rotte: Circa 1100 A.D., Italy.
The string "courses", unlike those of a Renaissance lute or archlute, were often single, although double stringing was also used. Typically, theorbos have 14 courses, though some used 15 or even 19 courses . This is theorbo tuning in A. Modern theorbo players usually play 14-course (string) instruments (lowest course is G).
Ancient kings playing an organistrum at the Pórtico de la Gloria in the Catedral de Santiago de Compostela in Santiago de Compostela, Spain. The hurdy-gurdy is generally thought to have originated from fiddles in either Europe or the Middle East (e.g., the rebab instrument) before the eleventh century A.D. [2] The first recorded reference to fiddles in Europe was in the 9th century by the ...
The tuning and narrow range allow the player a number of simple chord shapes useful for both simple song accompaniment and dances, though much more complex music was also written for it. [3] Its bright and cheerful timbre make it a valuable counterpoint to gut-strung instruments. The Spanish bandurria, still used today, is a similar instrument.