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As a child, Sayid watches as his older brother is forced by his father to kill a chicken as a rite of passage. He is unable to do it, so Sayid does it for him; this greatly pleases Sayid's father. While working for Ben (Michael Emerson), [N 1] Sayid kills a man in Moscow. This is the last man on Ben's hit list, leaving Sayid uncertain about how ...
Sayid originally served as a communications officer in Iraq's Special Republican Guard and was a skilled radio and mechanical engineer. Sayid served in the Gulf War and was captured by the U.S military. He was the only one in his unit who spoke English so he was told to extract information from his captured commanding officer.
Sayid arrives at the caves and begins questioning Locke, asking Locke to show him the Beechcraft. As they walk to it, Sayid interrogates Locke, who realizes just what Sayid is doing. Upon arriving at the plane, their cat-and-mouse game escalates. Sayid tells Locke he knows Locke has a gun, and Locke hands it over.
Time named "The Constant" the best television episode of 2008, [7] and according to Oscar Dahl of BuddyTV, "lots of people" referred to it as "the best Lost episode ever". [6] It was listed as the best episode of Lost by IGN, [5] Los Angeles Times, [29] and ABC2, [30] and was also featured in similar lists by TV Guide, [31] and National Post. [32]
In his flashback, Sayid is a chef in a restaurant in Paris. He is summoned onto the portico by an Iraqi named Sami , who compliments the meal Sayid cooked for him, and offers him a job as a chef in his new restaurant. Sayid later arrives at the restaurant, and meets Sami's wife, Amira (Anne Bedian).
However, Sayid refuses. Austen knows they cannot get the information and call in the next man; American DIA agent Kelvin Inman (Clancy Brown) orders Sayid to torture the Iraqi officer; at first, Sayid refuses this too, but agrees after the agent shows a video of Sayid's family being gassed on the officer's orders. While interrogating the ...
Michael Winterbottom's 9 Songs arguably remains the most sexually explicit (non-porn) British movie of all time. It contains several scenes of unsimulated sex between the two leads (Kieran O'Brien ...
Jeff Jensen of Entertainment Weekly wrote that Monaghan "turned in his best performance yet on Lost" [33] and described the final scene as "breathtaking" [34] with "a stunningly realized, Emmy-worthy triumph of F/X." [35] Kristin Veitch of E! also enjoyed Monaghan's acting and called the episode a "perfect example" of the series' high quality. [36]