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Trench art is any decorative item made by soldiers, prisoners of war, or civilians [citation needed] where the manufacture is directly linked to armed conflict or its consequences. It offers an insight not only to their feelings and emotions about the war, but also their surroundings and the materials they had available to them. [ 1 ]
In 1916, a new longer-barrelled version was put into production. This new model, which had a longer range with an L/5 barrel, was named the 25 cm schwerer Minenwerfer neuer Art (new pattern), which was abbreviated to 25 cm sMW n/A. The older, short-barrel L/3 model was then renamed 25 cm sMW a/A (alter Art) (old pattern). [1]
November 29, 1915 – Illustrated London News – The Ghostly Bowmen of Mons fight the Germans The Angels of Mons is one of many stories of the reputed appearance of a variety of supernatural entities which protected the British Army from defeat by the invading forces of the German Empire at the beginning of World War I during the Battle of Mons in Belgium on 23 August 1914.
The Trench (German: Der Schützengraben), but earlier known as The War Picture or simply Der Krieg ("The War"), was an oil painting by the German artist Otto Dix.The large painting was made from 1920 to 1923, and was one of the several anti-war works by Dix in the 1920s, inspired by his experience of trench warfare in the First World War.
Dead Germans in a Trench is a 1918 oil painting by Irish artist William Orpen, made during the First World War. It was inspired by the battlefield of the Battle of the Somme that Orpen had visited in 1917, and depicts the bodies of two dead German soldiers sinking into the mud at the bottom of a trench .
A war artist will have depicted some aspect of war through art; this might be a pictorial record or it might commemorate how war shapes lives. [3] A war artist creates a visual account of war by showing its impact as men and women are shown waiting, preparing, fighting, suffering and celebrating.
The Wipers Times was a trench magazine that was published by British soldiers fighting in the Ypres Salient during the First World War.. In early 1916, the 12th Battalion, Sherwood Foresters stationed in the front line at Ypres, Belgium, came across an abandoned printing press.
German infantrymen towing the minenwerfer in 1918 German troops using the minenwerfer as an anti-tank gun in October 1918. The Russo-Japanese War of 1905 had shown the value of mortars against modern fieldworks and fortifications and the Germans were in the process of fielding a whole series of mortars before the beginning of World War I.