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This is a list of hood films. These films focus on the culture and life of African-Americans, Hispanic-Americans, and, in some cases, Asian-Americans or White Americans who live in segregated, low-income urban communities. This list also includes comparably economically disenfranchised and crime adjacent communities in other countries such as ...
Additional discussion related to this cleanup effort can be found at Talk:List of prison films#Post-rescope content cleanup. ( August 2021 ) This is a list of prison films — films which are primarily concerned with prison life or prison escape or have at least one memorable prison scene.
This page was last edited on 6 February 2021, at 17:47 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
Stephen Hunter of The Washington Post wrote, "What makes the movie memorable is its authenticity." [5] Tom Long of The Detroit News wrote of the film, "Despite a low budget and predictable story line, Lockdown has undeniable power to it, fired by some fine performances and a terrifying portrayal of prison life that rings disturbingly true." [6]
C. Cadence (film) Caged (1950 film) Caged Fury (1989 film) Camp X-Ray (film) Canon City (film) Captive (2015 film) Castle on the Hudson; Cell 2455 Death Row (film)
The website's consensus reads: "A modern update on the tale of Little Red Riding Hood, Freeway is an audacious black comedy with a star-making performance from the young Reese Witherspoon." [8] Metacritic, which uses a weighted average, assigned the film a score of 61 out of 100, based on 15 critics, indicating "generally favorable" reviews. [9]
Hood film is a 1990s film genre originating in the United States, which features aspects of urban African American or Hispanic American culture. John Singleton , Mario Van Peebles , F. Gary Gray , Hughes Brothers , and Spike Lee are all directors who have created work typically classified as part of this genre. [ 1 ]
Jeffrey Wright was awarded the "Best Actor in a U.S. Narrative Feature Film" at the 2018 Tribeca Film Festival for his role in the film. [13] Ben Travers at IndieWire gave it a grade B and wrote: "Can be a tad slow, a touch too simple, and even a little distracted from making a larger, more declarative point about modern incarceration. But by ...