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The Japanese sword has existed since the Nara period (710–794), where techniques to draw the sword have been practiced under other names than 'iaijutsu'. [3] The term 'iaijutsu' was first verified in connection with Iizasa Chōisai Ienao (c. 1387 – c. 1488), founder of the school Tenshin Shōden Katori Shintō-ryū .
Battōjutsu (抜刀術, battō-jutsu, 'craft of drawing out the sword') is an old term for iaijutsu (居合術). Battōjutsu is often used interchangeably with the terms iaijutsu and battō (抜刀). [1] Generally, battōjutsu is practiced as a part of a classical ryū and is closely integrated with the tradition of kenjutsu.
Iaidō (居合道), abbreviated iai (居合), [3] is a Japanese martial art that emphasizes being aware and capable of quickly drawing the sword and responding to sudden attacks. [ 4 ] Iaido consists of four main components: the smooth, controlled movements of drawing the sword from its scabbard (or saya ), striking or cutting an opponent ...
The quicker draw of the sword was well suited to combat where victory depended heavily on short response times. (The practice and martial art for drawing the sword quickly and responding to a sudden attack was called battōjutsu, which is still kept alive through the teaching of iaido.)
Suiō-ryū Iai Kenpō (水鷗流 居合 剣法) is a style of classical Japanese swordsmanship.It was founded by Mima Yoichizaemon Kagenobu at the end of the Sengoku period. [1]
Books and other written materials have described a number of possible ways to use the sword including "fast draw techniques centered around drawing the sword and cutting as a simultaneous defensive or attacking action", [20] with "a thrust fencing technique", [21] and with a "reverse grip". [22]
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File:Gentlemen he cried and drawing his sword I have thrown awy the scabard.jpg Licensing This is a faithful photographic reproduction of a two-dimensional, public domain work of art.