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A form is an artist's way of using elements of art, principles of design, and media. Form, as an element of art, is three-dimensional and encloses space. Like a shape, a form has length and width, but it also has depth. Forms are either geometric or free-form, and can be symmetrical or asymmetrical.
William Page Reimann (born 1935) is an American sculptor and arts educator, known for his large plexiglas and steel sculptures, stonework, metalwork, and figurative graphite and ink drawings. He was among the handful of "pioneering" [1] sculptors who brought plastic materials to the New York art scene in the 1960s.
There are different types of shapes an artist can use and fall under either geometrical shapes, defined by mathematics, or organic shapes, created by an artist. [ 3 ] [ 4 ] Simplistic, geometrical shapes include circles, triangles and squares, and provide a symbolic and synthetic feeling, whereas acute angled shapes with sharp points are ...
Scharf grew up on Ridge Road in Media, Pennsylvania, the eldest of two children of Lester William Scharf and Ebba Scharf, née Anderson, of German and Swedish descent.. At age ten he was befriended by the illustrator N. C. Wyeth, who encouraged him, gave him art supplies, and later recommended him to the Pennsylvania Academy of the Fine Arts, writing: "This boy has the stuff". [2]
William Conger (born 1937) is a Chicago-based, American painter and educator, known for a dynamic, subjective style of abstraction descended from Kandinsky, which consciously employs illogical, illusionistic space and light and ambiguous forms that evoke metaphorical associations.
As time progressed, her works shifted from using round and soft shapes to harder, more geometric shapes. [5] In 1965, the Cleveland Institute of Art presented a major retrospective of her work that included seventy-five large scale sculptures or what she called "ceramic forms." [6] By 1979 McVey's production slowed due to her failing eyesight.
Organic Abstraction is an artistic style characterized by "the use of rounded or wavy abstract forms based on what one finds in nature." [1] It takes its cues from rhythmic forms found in nature, both small scale, as in the structures of small-growth leaves and stems, and grand, as in the shapes of the universe that are revealed by astronomy and physics. [2]
Morris's friend Walter Crane wrote, "...Mr. William Morris has shown what beauty and character in pattern, and good and delicate choice of tint can do for us, giving in short a new impulse to design, a great amount of ingenuity and enterprise has been spent on wallpapers in England, and in the better minds a very distinct advance has been made ...