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In sewing and dressmaking, a ruffle, frill, or furbelow is a strip of fabric, lace or ribbon tightly gathered or pleated on one edge and applied to a garment, bedding, or other textile as a form of trimming. [1] Ruffles can be made from a single layer of fabric (which may need a hem) or a doubled layer. Plain ruffles are usually cut on the ...
Mechlin lace is known for its rich floral patterns, [6] fine twisted-and-plaited, hexagonal ground, and its outlined designs. [4] [2] [3] It looks much like Brussels lace, however it is made all at once, [3] with the réseau or ground made at the same time as the pattern on the pillow.
Straight stitch – the basic stitch in hand-sewing and embroidery; Tacking stitch (UK, also baste or pin) – quick, temporary stitching intended to be removed; Tent stitch – diagonal embroidery stitch at a 45-degree angle; Topstitch – used on garment edges such as necklines and hems, helps facings stay in place and gives a crisp edge
Broderie anglaise is characterized by patterns composed of round or oval holes, called eyelets, which are cut out of the fabric, then bound with overcast or buttonhole stitches. [1] The patterns, often depicting flowers, leaves, vines, or stems, are further delineated by simple embroidery stitches made on the surrounding material.
It was woven with a needle, multi-colored silk threads, combined patterns of small flowers and leaves. The white, silk lace suspenders with lily patterns of the Cilicia-Armenian women's costume are of interest. [6] In Karin , Van, Baghesh, women wove the laces of their foreheads, the edges of yapush, and yazmans. [7] In the decoration of the ...
Bruges lace was in high production between 1850 and 1950. Bruges flower lace is assembled from elegant leaves, long scrolls, and open flowers. They often have typical patterns and can be produced in large pieces for use in formal settings, such as churches. These features are joined with plaits with picots, fillings, leaf plaits and braids. [3]
Anne Knollys wears a black gown and full white sleeves trimmed with gold lace or braid. She wears a French hood with a jewelled biliment and a black veil, 1582. The Infanta Isabella Clara Eugenia of Spain is seen here again wearing a Spanish farthingale, a closed overskirt, and the typically Spanish, long, pointed oversleeves.
Brussels lace is part lace.This is made in pieces, with the flowers and design made separate from the ground, unlike Mechlin lace or Valenciennes lace; because of this, the long threads that form the design always follow the curves of the pattern, whereas in bobbin laces made all at the same time, the threads are parallel to the length of the lace. [3]