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Engaged columns embedded in a side wall of the cella of the Maison Carrée, Nîmes, France, unknown architect, 2nd century. An engaged column is an architectural element in which a column is embedded in a wall and partly projecting from the surface of the wall, which may or may not carry a partial structural load.
An Islamic architectural term for the tribune raised upon columns, from which the Koran is recited and the prayers intoned by the Imam of the mosque. [28] Temples which have a double range of columns in the peristyle, as in the temple of Diana at Ephesus. [29] Distyle in antis Having two columns. A portico having two columns between two anta [30]
In other words, a column is a compression member. The term column applies especially to a large round support (the shaft of the column) with a capital and a base or pedestal, [1] which is made of stone, or appearing to be so. A small wooden or metal support is typically called a post.
As an ornament it consists of a flat surface raised from the main wall surface, usually treated as though it were a column, with a capital at the top, plinth (base) at the bottom, and the various other column elements. In contrast to a Classical pilaster, an engaged column or buttress can support the structure of a wall and roof above.
The Tuscan order (Latin Ordo Tuscanicus or Ordo Tuscanus, with the meaning of Etruscan order) is one of the two classical orders developed by the Romans, the other being the composite order. It is influenced by the Doric order, but with un-fluted columns and a simpler entablature with no triglyphs or guttae.
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The concatenation usually articulates the wall by superimposing elements of the architectural order, such as pilasters or engaged columns, inside which a round arch or a series of arches open. [2] Two hierarchical orders are usually superimposed: the minor order supports the arch, which, in turn, is framed under the entablature of the major order.
The large columns at Persepolis have as many as 40 or 48 flutes, with smaller columns elsewhere 32; the width of a flute is kept fairly constant, so the number of flutes increases with the girth of the column, in contrast to the Greek practice of keeping the number of flutes on a column constant and varying the width of the flute. [15]