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The representation of women in Athenian tragedy was performed exclusively by men and it is likely (although the evidence is not conclusive) that it was performed solely for men as well. [1] The question whether or not women were admitted at theatre is widely contested and tends to polarise fronts. [ 2 ]
Hippias: An Athenian tyrant, he receives two mentions in the play, as a sample of the kind of tyranny that the Old Men can "smell" in the revolt by the women [11] and secondly in connection with a good service that the Spartans once rendered Athens (they removed him from power by force) [12]
The economic power of Athenian women was legally constrained. Historians have traditionally considered that ancient Greek women, particularly in Classical Athens, lacked economic influence. [146] Athenian women were forbidden from entering a contract worth more than a medimnos of barley, enough to feed an average family for six days. [147]
Ancient Greek theatre in Delos The theatron was the seating area, built into a hill to create a natural viewing space. The first seats in Greek theatres (other than just sitting on the ground) were wooden, but around 499 BC, the practice of inlaying stone blocks into the side of the hill to create permanent, stable seating became more common.
Greek tragedy (Ancient Greek: τραγῳδία, romanized: tragōidía) is one of the three principal theatrical genres from Ancient Greece and Greek-inhabited Anatolia, along with comedy and the satyr play. It reached its most significant form in Athens in the 5th century BC, the works of which are sometimes called Attic tragedy.
In Euripides's play Medea, she is a woman scorned, rejected by her husband Jason and revenge seeking. Deborah Boedeker writes about different images and symbolism Euripides used in his play to evoke responses from his original Athenian audience. [36]
Andromache (Ancient Greek: Ἀνδρομάχη) is an Athenian tragedy by Euripides. It dramatises Andromache's life as a slave, years after the events of the Trojan War, and her conflict with her master's new wife, Hermione. The date of its first performance is unknown. Some scholars place the date sometime between 428 and 425 BC. [1]
Aspasia (/ æ ˈ s p eɪ ʒ (i) ə,-z i ə,-ʃ ə /; [2] Ancient Greek: Ἀσπασία Greek:; c. 470 – after 428 BC [a]) was a metic woman in Classical Athens. Born in Miletus, she moved to Athens and began a relationship with the statesman Pericles, with whom she had a son named Pericles the Younger.