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During the 1960s, he worked as an old-time fiddler on The Porter Wagoner Show [4] and later worked with the aspiring female star on the show, Dolly Parton. [2] Among the later songs Magaha wrote, "We'll Get Ahead Someday" provided a top-ten country single for Wagoner and Parton in 1968, one of their first duet hits.
By that time Wagoner had released eighty-one Billboard-charting songs, including forty-nine songs that reached the Top 20, twenty-nine songs that reached the Top 10, and fifteen songs that reached the Top 5. [1] Wagoner's writing credits by 1992 included "about 175" songs according to Eng. [2]
Robinson announced the unreleased collaboration on March 11, 2021, along with a video showcasing how the song was sampled. "Stop My Heart" — This is an unreleased collaboration with Wavedash, which Robinson played during his Breakaway Carolina DJ set on September 29, 2023.
Porter Wayne Wagoner (August 12, 1927 – October 28, 2007) [1] was an American country music singer known for his flashy Nudie and Manuel suits and blond pompadour. In 1967, he introduced singer Dolly Parton on his television show, The Porter Wagoner Show .
The AOL.com video experience serves up the best video content from AOL and around the web, curating informative and entertaining snackable videos.
Both Sides Of An Evening is the fifth studio album and released in 1961 by The Everly Brothers. Though it was released at the peak of their career, it failed to make any of the record charts. Though it was released at the peak of their career, it failed to make any of the record charts.
The pair recorded 13 albums together for RCA Victor, and in the late 1960s and early 1970s had a series of top 10 hits on the country charts, including "The Last Thing on My Mind", "Tomorrow Is Forever", and "Daddy Was an Old Time Preacher Man". On Wagoner's television series, Parton gained a national audience of millions of viewers, and her ...
Mary Martin with Ray Sinatra & His Orchestra - Mary Martin In An Album Of Cole Porter Songs (1940) [19] Eartha Kitt with Henri René and his Orchestra. Recorded in New York City on October 5, 1951. It was released by RCA Victor Records as catalog number 20-5737 (in the U.S.) [20] and by EMI on the His Master's Voice label as catalog number B 10778.