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While slang is usually inappropriate for formal settings, this assortment includes well-known expressions from that time, with some still in use today, e.g., blind date, cutie-pie, freebie, and take the ball and run. [2] These items were gathered from published sources documenting 1920s slang, including books, PDFs, and websites.
Today the term gown is rare except in specialized cases: academic dress or cap and gown, evening gown, nightgown, hospital gown, and so on (see Gown). Shirt and skirt are originally the same word, the former being the southern and the latter the northern pronunciation in early Middle English .
The opposite of painterly is linear, plastic or formal linear design. [1] Linear could describe the painting of artists such as Botticelli, Michelangelo, and Ingres, whose works depend on creating the illusion of a degree of three-dimensionality by means of "modeling the form" through skillful drawing, shading, and an academic (rather than impulsive) use of color.
Detroit slang is an ever-evolving dictionary of words and phrases with roots in regional Michigan, the Motown music scene, African-American communities and drug culture, among others. The local ...
The Dictionary of American Slang is an English slang dictionary. The first edition was edited by Stuart Flexner and Harold Wentworth and published in 1960 by Thomas Y. Crowell Company . [ 1 ] After Wentworth's death in 1965, [ 2 ] Flexner wrote a supplemented edition which was published in 1967. [ 3 ]
While onlookers no doubt attempted to decipher the meaning behind the dress, Ratajkowski was quick to tell WSJ. Magazine that she simply fell for the dress the moment she laid eyes on it.
1. A dressmaker is a person who makes custom clothing for women, such as dresses, blouses, and evening gowns. Also called a mantua-maker (historically) or a modiste. 2. Dressmaker as an adjective denotes clothing made in the style of a dressmaker, frequently in the term dressmaker details which includes ruffles, frills, ribbon or braid trim.
Heinrich Wölfflin (German: [ˈhaɪnʁɪç ˈvœlflɪn]; 21 June 1864 – 19 July 1945) was a Swiss art historian, esthetician and educator, whose objective classifying principles ("painterly" vs. "linear" and the like) were influential in the development of formal analysis in art history in the early 20th century. [1]