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Compositions for violin and piano that are not violin sonatas. Pages in category "Compositions for violin and piano" The following 48 pages are in this category, out of 48 total.
Music for Piano 53–68 (for piano solo or in an ensemble) (1956) Dedicated to Grete Sultan. Music for Piano 69–84 (for piano solo or in an ensemble) (1956) Both collections were composed for the same Cunningham choreography, Solo Suite in Space and Time. Music for Piano 53–68 is dedicated to, and was first performed by, Grete Sultan. [5]
Sheet music can be used as a record of, a guide to, or a means to perform, a song or piece of music. Sheet music enables instrumental performers who are able to read music notation (a pianist, orchestral instrument players, a jazz band, etc.) or singers to perform a song or piece. Music students use sheet music to learn about different styles ...
Double Concerto in G major, Op. 17, for piano and violin; Julius Juzeliūnas. Concerto for Violin and Organ (1963) Ernst Krenek. Concerto for Violin and Piano, Op. 124; Bohuslav Martinů. Concerto for Violin and Piano (1953) Felix Mendelssohn. Concerto in D minor, for violin and piano; Francisco Mignone. Double concerto for violin and piano (1966)
Because his first 26 published works were all written for solo piano, the first ten years of Schumann's career are strongly associated with the instrument; nevertheless, he composed and published work for the piano throughout his entire life, and Schumann's final composition, the Geistervariationen, was a set of variations for solo piano.
Osmo Tapio Räihälä: A Sensuous Encounter in the Eastern Garden, for two solo violins and orchestra (2023) Pablo de Sarasate : Navarra , Duo in A major for 2 violins and orchestra (or piano), Op. 33 (1889.)
In a career spanning more than 50 years, Argent came to prominence in the mid-1960s as the keyboardist, founder and leader of the rock band the Zombies, [1] and went on to form the band Argent after the first break-up of the Zombies. [2] Argent is one of the main composers of the Zombies' music and made major lyrical contributions to the band's ...
The music features transitions between a violin, a trumpet, and a piano. [5] The song is described as, according to The Daily Californian: [a strong example] of the three brothers' fearless leap into a multitude of musical genres, daring to explore folk, jazz and musical theatre all within a single track.