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This is a list of original Roman Catholic hymns. The list does not contain hymns originating from other Christian traditions despite occasional usage in Roman Catholic churches. The list has hymns in Latin and English.
Shaw, John MacKay. "Poetry for Children of Two Centuries". Research about nineteenth-century children and books. Urbana-Champaign, Illinois: University of Illinois, 1980. 133-142. Stone, Wilbur Macey. The Divine and Moral Songs of Isaac Watts: An Essay thereon and a tentative List of Editions. New York: The Triptych, 1918.
Marian hymns are Christian songs focused on Mary, mother of Jesus. They are used in devotional and liturgical services, particularly by the Roman Catholic, Eastern Orthodox, Oriental Orthodox, Anglican, and Lutheran churches. [citation needed] Some have been adopted as Christmas hymns. Marian hymns are not popular among Protestants who see ...
Immaculate Mary" or "Immaculate Mother" (French: Ô Vierge Marie) is a popular Roman Catholic Marian hymn. It is also known as the Lourdes Hymn , a term which also refers to the hymn tune itself. It is often sung in honour of the Immaculate Conception of the Blessed Virgin Mary .
A defining characteristic is that the text does not "initiate praise", but is rather an invitation to join in an endless song. Poetically, it is in the long and unusual 11.12.12.10 meter, contrasting with the shorter stanzas of most preceding English hymnody, such as that of Isaac Watts or Charles Wesley. Additionally, every single line rhymes ...
"O sanctissima" (O most holy) is a Roman Catholic hymn in Latin, seeking the prayers of the Blessed Virgin Mary, and often sung in various languages on her feast days.The earliest known publication was from London in 1792, presenting it as a traditional song from Sicily; no original source or date has been confirmed for the simple melody or poetic text.
The text of "Dona nobis pacem" is a short prayer for peace from the Agnus Dei of the Latin mass. [1] [2] [3] In the round for three parts, it is sung twice in every line. [4] The melody has been passed orally. [4] It has traditionally been attributed to Mozart but without evidence. [1] English-language hymnals usually mark it "Traditional". [5]
The assumption of Mary is praised in numerous songs from the 10th century, [13] In several songs, Mary is praised to be above all saints and angels and participates in the kingdom of her son. Her assumption is “wished by the faithful people” in a song from the 12th century. [14] The Marian songs and hymns in this epoch are too numerous to ...