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"Istanbul (Not Constantinople)" references both the current and previous names for modern-day Istanbul (Hagia Sophia pictured). "Lucky Ball and Chain" employs the unreliable narrator motif, according to Linnell. Influenced by the country-western musical tradition, the song is a "simple regret song" dealing with "the one that got away". [6]
"Istanbul (Not Constantinople)" is a 1953 novelty song, with lyrics by Jimmy Kennedy and music by Nat Simon. It was written on the 500th anniversary of the fall of Constantinople to the Ottomans . The lyrics humorously refer to the official renaming of the city of Constantinople to Istanbul .
Composed entirely of songs from the band's 2018 Dial-A-Song project. My Murdered Remains. Release date: December 10, 2018; Label: Idlewild; Format: CD, digital download, LP — [A] — — 9 — — — Composed entirely of songs from the band's 2018 Dial-A-Song project. Included bonus disc composed mostly of songs from the band's 2015 Dial-A ...
They Might Be Giants, often abbreviated as TMBG, is an American alternative rock and children’s band formed in 1982 by John Flansburgh and John Linnell.During TMBG's early years, Flansburgh and Linnell frequently performed as a musical duo, often accompanied by a drum machine.
In 1953, the Four Lads had their first gold record, [13] with "Istanbul (Not Constantinople)", [11] a song that gave them their first U.S. top-ten hit and propelled them to even more stardom. The group's most famous hit was 1955's "Moments to Remember."
Eurovision Song Contest: Istanbul 2004 was the official compilation album of the 2004 contest, put together by the European Broadcasting Union and released by EMI Records and CMC International on 26 April 2004. The album featured all 36 songs that entered in the 2004 contest, including the semi-finalists that failed to qualify into the grand ...
Joe Chiccarelli, the album's producer, stated that "Morrissey wanted to evoke the feeling of the hectic and chaotic streets of the city of Istanbul, so he used a cigar-box guitar, a lap steel guitar and a complicated and bussy drum rhythm, plus an actual gong as percussion, as well as vocal samples from a field recording taken in the streets of ...
A notable recording is that by Safiye Ayla from 1949. [4] During the time of recording, Ayla was also a member of the assembly at the Istanbul City Conservatory. [5] Classical composer Saygun included 'Variations on the Old Istanbul Folk Song Katibim (Varyasyonlar)' as the last part of his choral Op.22 Bir Tutam Kekik of 1943.