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Main article: The Notorious B.I.G. discography This article does not cite any sources. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Find sources: "List of songs recorded by the Notorious B.I.G." – news · newspapers · books · scholar · JSTOR (August 2014) (Learn how and when to remove this message) The ...
[1] [3] [12] [5] Young had recorded 9 songs for the Tonight's the Night album in 1973 but did not feel the album was finished, and so the album sat unreleased for two years. Young's manager Elliot Mazer suggested adding three older songs to the album - "Come On Baby Let's Go Downtown" as well as "Borrowed Tune" and "Lookout Joe."
"Come On Baby", song by Joe Satriani from Professor Satchafunkilus and the Musterion of Rock; Come On Baby (Moby song) Come On Baby (Saigon song) "Come On Baby (Let's Do the Revolution)", song by Chumbawamba from Never Mind the Ballots
"Come On, Come On" is a song by Smash Mouth from their 1999 album Astro Lounge. The song was first recorded for The East Bay Sessions , a demo recorded prior to the band's first album, and was also included on Smash Mouth's 2005 best-of album, All Star Smash Hits .
"Come On, Let's Go", a song by Ritchie Valens from the self-titled album, 1959 "Come On and Love Me", a song by Lenny Kravitz from Are You Gonna Go My Way , 1993 Other uses
"Come On Come On" is the band's highest charting single to date. Following the release of the single Little Birdy embarked on a national tour supported by fellow a Western Australian band, One Horse Town. [4] "Come On Come On" features as the theme for the SBS television series Marx and Venus, which commenced screening in 2007. [5]
The lyrics of "Wasn't Born to Follow" celebrate the freedom that hippies enjoyed in the late 1960s. [1] They express the need for escape and independence. [2] Music critic Johnny Rogan describes the lyrics as an "evocation of pastoral freedom and the implicit desire to escape from the restrictions of conventional society."
During one of the times that Young had left the band, he booked a studio to record the song with outside musicians under the impression that it would be for a Neil Young solo project rather than for Buffalo Springfield. [4] Producer Jack Nitzsche provided the orchestral arrangement featuring a string section plus an English horn. The song does ...