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Johann Sebastian Bach composed suites, partitas and overtures in the baroque dance suite format for solo instruments such as harpsichord, lute, violin, cello and flute, and for orchestra. Harpsichord [ edit ]
The two keyboard works are among the few Bach published, and he prepared the lute suite for a "Monsieur Schouster", presumably for a fee, so all three may attest to the form's popularity. Scholars believe that Bach did not conceive of the four orchestral suites as a set (in the way he conceived of the Brandenburg Concertos ), since the sources ...
The suites were later given the name 'French' (first recorded usage by Friedrich Wilhelm Marpurg in 1762). Likewise, the English Suites received a later appellation. The name was popularised by Bach's biographer Johann Nikolaus Forkel, who wrote in his 1802 biography of Bach, "One usually calls them French Suites because they are written in the French manner."
Lute Suite in C minor, BWV 997; Lute Suite in E minor, BWV 996; O. Orchestral suites (Bach) ... Partita in A minor for solo flute (Bach) Partitas for keyboard (Bach) S.
BWV 1020 – Sonata in G minor for violin (or flute) and harpsichord (now attributed to Carl Philipp Emanuel Bach – H 542.5) [3] BWV 1021 – Sonata in G major for violin and basso continuo; BWV 1022 – Sonata in F major for violin and harpsichord (doubtful, possibly by C. P. E. Bach) [3] BWV 1023 – Sonata in E minor for violin and basso ...
Johann Sebastian Bach copied all six suites sometime between 1709 and 1714, [2] and was influenced by Dieupart's music, particularly in the famous English Suites. [1] Dieupart's suites may have also inspired Nicolas Siret, whose first book adopts the suite's initial opening as an example. [citation needed]