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"Morning" is a Latin Jazz standard written by American pianist/composer/arranger Clare Fischer, [2] first heard on his 1965 LP, Manteca!, Fischer's first recording conceived entirely in the Afro-Cuban idiom, which, along with the Brazilian music he had explored at length over the previous three years, [3] would provide fertile ground for ...
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
Song Artist(s) Ref. January 2 "Better Days Ahead" Gerald Albright [1] January 9 [2] January 16 [3] January 23 "Blue Moon" Skinny Hightower [4] January 30 "Don't Wanna Let Go" Riley Richard [5] February 6 [6] February 13 [7] February 20 "Too Tuff" Freddie Fox [8] February 27 "Magic Hour" Sean U featuring Blake Aaron [9] March 6 "Style and Elegance"
For a looser, more comprehensive A-Z list of jazz standards and tunes which have been covered by multiple artists, see the List of jazz tunes Index of articles associated with the same name This set index article includes a list of related items that share the same name (or similar names).
The song is a contrafact of Miles Davis's "Tune Up", which is reharmonized to the Coltrane changes. [ 3 ] [ 5 ] The original recording has been described as having "resolute intensity . . . [that] does more to modernize jazz in 141 seconds than many artists do in their entire careers".
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Frank Crumit recorded the song for Columbia Records in 1921, but its biggest success came in 1922 when Paul Whiteman released a recording on the Victor label, selling over 3.5 million copies of the record, and fueling the sale of over 1 million copies of the sheet music. [5] The song has been recorded by some of the most renowned orchestras of ...