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The Apollonian and the Dionysian are philosophical and literary concepts represented by a duality between the figures of Apollo and Dionysus from Greek mythology.Its popularization is widely attributed to the work The Birth of Tragedy by Friedrich Nietzsche, though the terms had already been in use prior to this, [1] such as in the writings of poet Friedrich Hölderlin, historian Johann ...
Nietzsche found in classical Athenian tragedy an art form that transcended the pessimism and nihilism of a fundamentally meaningless world. Originally educated as a philologist, Nietzsche discusses the history of the tragic form and introduces an intellectual dichotomy between the Dionysian and the Apollonian (very loosely: reality as disordered and undifferentiated by forms versus reality as ...
What is important for the understanding of the play are the concepts of the "mantosyni" (the art of oracle as an inner power, spiritually superior to the other inner powers of every man) a property that Sibylla has as a mythical figure and symbol and also the concept of the combination of the Apollonian and the Dionysian element (the individual ...
Thomas Mann's novel Death in Venice [295] shows a use of Apollonian and Dionysian, and in Doctor Faustus Nietzsche was a central source for the character of Adrian Leverkühn. [ 296 ] [ 297 ] Hermann Hesse , similarly, in his Narcissus and Goldmund presents two main characters as opposite yet intertwined Apollonian and Dionysian spirits.
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Hints and the solution for today's Wordle on Thursday, January 30.
Friedrich Nietzsche at the end of the 19th century highlighted the contrast between the two main elements of tragedy: firstly, the Dionysian (the passion that overwhelms the character) and the Apollonian (the purely pictorial imagery of the theatrical spectacle). [26]