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Download QR code; Print/export Download as PDF; Printable version; In other projects Wikidata item; ... I–V–vi–IV chord progression in C: 4: Major
The song fell off the Billboard Hot 100 in its second week, but re-entered the chart at number 100 on July 5, 2014, following the release of Ultraviolence. [77] "West Coast" became Del Rey's first single to chart on the Rock Airplay chart where it peaked at number 26 and spent a total of 9 weeks on the chart. [78]
Such a chord typically functions as the secondary dominant of the V chord (V/V). In some instances, chromatic notes are introduced to modulate to a new key. This in turn may lead to a resolution back to the original key later on, so that the entire sequence of chords helps create an extended musical form and a sense of movement.
A chord is inverted when the bass note is not the root note. Additional chords can be generated with drop-2 (or drop-3) voicing, which are discussed for standard tuning's implementation of dominant seventh chords (below). Johnny Marr is known for providing harmony by playing arpeggiated chords.
In contrast, in the chord-scale system, a different scale is used for each chord in the progression (for example mixolydian scales on A, E, and D for chords A 7, E 7, and D 7, respectively). [5] Improvisation approaches may be mixed, such as using "the blues approach" for a section of a progression and using the chord-scale system for the rest. [6]
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
These chords are all borrowed from the key of E minor. Similarly, in minor keys, chords from the parallel major may also be "borrowed". For example, in E minor, the diatonic chord built on the fourth scale degree is IVm, or A minor. However, in practice, many songs in E minor will use IV (A major), which is borrowed from the key of E major.
"Feel So High" was the song (in demo form) that got Des'ree signed to a major label. She had sent it to Lincoln Elias of the Sony label, who had signed Terence Trent D'Arby. Ashley Ingram, who eventually produced "Feel So High" and most of the album, said that "[Elias] played me a very rough demo of the song that later became 'Feel So High.'