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Monochrome printmaking is a generic term for any printmaking technique that produces only shades of a single color. While the term may include ordinary printing with only two colors — "ink" and "no ink" — it usually implies the ability to produce several intermediate colors between those two extremes.
A monochrome [1] or monochromatic image, object or palette is composed of one color (or values of one color). [2] Images using only shades of grey are called grayscale (typically digital) or black-and-white (typically analog).
The band printer is a later variant where the characters are embossed on a flexible steel band. The LP27 from Digital Equipment Corporation is a band printer. Bar printers, where the character set is attached to a solid bar that moves horizontally along the print line, such as the IBM 1443. [21]
Text was nearly always monochrome, and many books continued to be published with monochrome illustrations sumizuri-e, but the growth of the popularity of ukiyo-e brought with it demand for ever increasing numbers of colors and complexity of techniques. By the nineteenth century most artists designed prints that would be published in color.
Dot matrix printers are a type of impact printer that prints using a fixed number of pins or wires [2] [3] and typically use a print head that moves back and forth or in an up-and-down motion on the page and prints by impact, striking an ink-soaked cloth ribbon against the paper. They were also known as serial dot matrix printers. [4]
Printing in monochrome saves nothing, and the three unused color panels for that page cannot be recycled for a different single-color print. Inkjet printers also suffer from 'dye wastage' as the ink cartridges are prone to drying up with low usage (without 'heavy use', the cartridge nozzles can become clogged with dried ink).
And for the media, this did not especially matter: Until the 1970s, election news was broadcast in black and white, while newspapers were mostly printed in cheaper monochrome, meaning contrast ...
The use of dye imbibition for making full-color prints from a set of black-and-white photographs taken through different color filters was first proposed and patented by Charles Cros in 1880. [1] It was commercialized by Edward Sanger-Shepherd, who in 1900 was marketing kits for making color prints on paper and slides for projection. [1]