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The 24 Preludes and Fugues, Op. 87 by Dmitri Shostakovich are a set of 24 musical pieces for solo piano, one in each of the major and minor keys of the chromatic scale.The cycle was composed in 1950 and 1951 while Shostakovich was in Moscow, and premiered by pianist Tatiana Nikolayeva in Leningrad in December 1952; [1] it was published the same year.
The 24 Preludes, Op. 34 is a set of short piano pieces written and premiered by Dmitri Shostakovich in 1933. They are arranged following the circle of fifths , with one prelude in each major and minor key .
Selected by Shostakovich from the Eight Preludes as his contribution to an incomplete collaborative cycle of 24 preludes in all keys composed with fellow students Grigori Klements and Pavel Feldt. [12] Orchestration of the first movement from Ludwig van Beethoven's Piano Sonata No. 32: Orchestra 1921–1922 Partially lost [12]
Dmitri Dmitriyevich Shostakovich [a] [b] (25 September [O.S. 12 September] 1906 – 9 August 1975) was a Soviet-era Russian composer and pianist [1] who became internationally known after the premiere of his First Symphony in 1926 and thereafter was regarded as a major composer.
The Scherzo in F-sharp minor is one of the few surviving examples of Dmitri Shostakovich's early works, [1] along with five of his Eight Preludes for piano. [2] It is commonly dated as being written during the autumn or early winter months of 1919, the composer's first year at the Petrograd Conservatory (now the Saint Petersburg Conservatory), when he was aged 13.
24 Preludes and Fugues (Shostakovich) Spitfire Prelude and Fugue; T. Twenty-Four Preludes for Piano (Auerbach) U. Unmeasured prelude; V. Prelude No. 1 (Villa-Lobos)
Dmitri Shostakovich (piano) The Piano Quintet in G minor , Op . 57, is a five- movement composition for two violins, viola, cello, and piano by Dmitri Shostakovich . He composed it between July 13 and September 14, 1940.
The preludes are formally free, although many of them exhibit typical Baroque melodic forms, often coupled to an extended free coda (e.g. Book 1 preludes in C minor, D major, and B ♭ major). The preludes are also notable for their odd or irregular numbers of measures, in terms of both the phrases and the total number of measures in a given ...