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The story of British cinema in the Second World War is inextricably linked with that of the Ministry of Information. [1] Formed on 4 September 1939, the day after Britain's declaration of war, the Ministry of Information (MOI) was the central government department responsible for publicity and propaganda in the Second World War.
Aspidistra was a British medium-wave radio transmitter used for black propaganda and military deception purposes against Nazi Germany during World War II. At times in its history it was the most powerful broadcast transmitter in the world.
British World War II propaganda films (1 C, 60 P) Pages in category "British propaganda during World War II" The following 4 pages are in this category, out of 4 total.
Pages in category "British World War II propaganda films" The following 60 pages are in this category, out of 60 total. This list may not reflect recent changes. .
An appeal to self-interest during World War II, by the United States Office of War Information (restored by Yann) Wait for Me, Daddy , by Claude P. Dettloff (restored by Yann ) Selection on the ramp at Auschwitz-Birkenau at Auschwitz Album , by the Auschwitz Erkennungsdienst (restored by Yann )
During World War II propaganda was replaced by the term "psychological warfare" or "psy-war." Psychological warfare was developed as a non-violent weapon that was used to influence the enemy soldiers and the civilians psychological states. Psychological Warfare's purpose is to demoralize the soldiers, or to get the soldier to surrender to a ...
Images of the Army: The Military in British Art 1815–1914. Manchester: University Press. Knott, Richard, The Sketchbook War. The History Press, 2013. Sillars, Stuart (1987). Art and Survival in First World War Britain. Basingstoke: Macmillan. Holme, Charles. The war depicted by distinguished British artists (The Studio Ltd., 1918).
Words for Battle (also known by its original title In England Now) is a British propaganda film produced by the Ministry of Information's Crown Film Unit in 1941. [1] It was written and directed by Humphrey Jennings, and features seven sequences, each containing images of rural and urban Britain at war overlaid with audio commentary by Laurence Olivier, reciting passages from different English ...