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[1] [2] Braxton performs the pieces on this album entirely on alto saxophone, with no additional musicians, instrumentation or overdubbing. Although other jazz musicians, such as Coleman Hawkins, Sonny Rollins, and Eric Dolphy, had recorded unaccompanied saxophone solos, [3] For Alto was the first jazz album composed solely of solo saxophone ...
Solo de Concours Op. 13 for Alto Saxophone and Piano (1874)—Paul Agricole Génin; Le Val Fleuri (1888)—Louis Ganne; Hot-Sonate (1930)—Erwin Schulhoff; Sonata for Alto Saxophone and Piano (1931)—Wolfgang Jacobi; Suite for Alto Saxophone and Piano (1935)—Paul Dessau; Aria for alto saxophone and piano (1936)—Eugène Bozza
Portions of Parker’s improvised solos continue to be quoted by other improvising jazz musicians today. The transcriptions are not intended to be studied by saxophonists new to the instrument but rather by advanced students with some prior jazz idiom knowledge and considerable instrumental skill. Very few articulation marks are notated. [3]
Alto Saxophone Improvisations 1979 is a solo album by American saxophonist and composer Anthony Braxton, recorded in 1978 and 1979 and released on the Arista label. [ 1 ] [ 2 ] The tracks were subsequently reissued on The Complete Arista Recordings of Anthony Braxton on Mosaic Records in 2008.
He helped define the sound of alto saxophone, but he also performed and recorded on soprano saxophone, tenor saxophone, trumpet, trombone, clarinet, and piano. [3] He helped establish a foundation for arranging as far back as 1930 when he arranged "Keep a Song in Your Soul" for Fletcher Henderson's big band.
In music, an instrumental solo piece (from the Italian: solo, meaning alone) is a composition, like an étude, solo sonata, partita, solo suite or impromptus, or an arrangement, written to be played by a single performer. [1] The performer is called a soloist. The instrumental solo pieces can be monophonic or polyphonic.
The genre of solo saxophone has a rich, but largely unmapped history in contemporary music, particularly jazz. [1] Many, but not all, musicians who play and record solo saxophone use extended techniques, a vocabulary of the saxophone beyond its normal range.
Scaramouche, Suite for alto saxophone and orchestra, Op. 165c (1939), or for clarinet and orchestra, Op. 165d (1941); also for 2 pianos, Op. 165b; after the incidental music Le médécin volant, Op. 165 (1937) Vif et joyeux; Modéré; Brazileira; Concerto for flute, violin and orchestra, Op. 197 (1938–1939)