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The very small mouthpiece requires a correspondingly small reed and a tightly focused embouchure, making the soprillo difficult to play, particularly in its upper register. There is very little demand for soprillos, reducing the economy of scale and making the soprillo more expensive than more common saxophones like the alto or tenor. [4]
The soprano saxophone is also sometimes confused with the B ♭ clarinet. The clarinet has a distinctly different timbre, is usually much quieter, can play an augmented fourth lower and is commonly played as much as a fifth higher (though the soprano saxophone can also be played this high with altissimo, it is uncommon for a player to do so ...
In 2007, he began manufacturing his own line of mouthpieces alongside his brother, Tom Wanne. [2] They incorporated as Wanne, Inc., doing business as Theo Wanne. Saxophone Mouthpiece Heaven became inactive, its database moved to his current website. [3] In 2009, he released his first fully machined mouthpiece using aerospace CAD CAM technology. [1]
I) with a No. 7 Beechler metal mouthpiece, a Yamaha straight silver Soprano sax (YSS-62S) or a vintage Conn curved soprano sax with a No. 8 Couf mouthpiece, and a Selmer Mark VI Tenor sax with a Berg-Larsen 90/2 hard rubber mouthpiece.
The King Saxello was a soprano saxophone with a downward curve near the mouthpiece and a bell curved 90 degrees from the body, for optimal playing position and acoustic qualities. With improvements to saxophone design embodied by the King Zephyr in 1935, H. N. White's position as a leading manufacturer of saxophones was firmly established.
The last track on Steppin' Out is called "Dream Ride", and features Howard playing soprano saxophone; [5] the track was promoted in 1984 in the United Kingdom by DJ Robbie Vincent, and is now a classic among soul and jazz enthusiasts. By 1985, his third album, Dancing in the Sun, had scaled the Billboard Jazz Album chart to No. 1.
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