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The literary concept of the heteronym refers to one or more imaginary character(s) created by a writer to write in different styles. Heteronyms differ from pen names (or pseudonyms, from the Greek words for "false" and "name") in that the latter are just false names, while the former are characters that have their own supposed physiques, biographies, and writing styles.
As a result, there can be no definitive edition of The Book of Disquiet.Written on and off over a period of more than 20 years, seemingly beginning as a book by another of Pessoa's heteronyms, Vicente Guedes, and slowly evolving into the imaginary testament of Soares, it is a dishevelled album of thoughts, sensations and imagined memories that can never be fully deciphered.
The Book of Disquiet (Portuguese: Livro do Desassossego: Composto por Bernardo Soares, ajudante de guarda-livros na cidade de Lisboa) is a work by the Portuguese author Fernando Pessoa (1888–1935). Published posthumously, The Book of Disquiet is a fragmentary lifetime project, left unedited by the author, who introduced it as a "factless ...
Antonio Tabucchi was born in Pisa, Italy, but grew up at his maternal grandparents' home in Vecchiano, a nearby village. [4] During his years at university, he travelled widely around Europe on the trail of the authors he had encountered in his uncle's library.
De Brevitate Vitae (English: On the Shortness of Life) is a moral essay written by Seneca the Younger, a Roman Stoic philosopher, sometime around the year 49 AD, to his father-in-law Paulinus. The philosopher brings up many Stoic principles on the nature of time , namely that people waste much of it in meaningless pursuits.
The book received numerous positive reviews. For example, Kirkus Reviews wrote, "The best pieces in the book, such as a wonderful essay on Navajo place names, combine this ethic with a profound attention to local knowledge and old ways of knowing; echoing Borges, Momaday proclaims that for him paradise is a library, but also 'a prairie and a plain . . .
A.D. 2024—The United States. Twenty-seven degrees in a Port-A-Jon, the seat freezing my ass. I’m in the dark with a little flashlight. Chemically treated feces and urine splash up onto my anus.
The essay is built on an extended metaphor of a castaway with amnesia who remembers nothing but the island he washes up on and who creates a new life with the natives of the island. The castaway frequently finds on the beach bottles that have one-sentence messages on the inside, such as "There is fresh water in the next cove," "The British are ...