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"Summertime Girls" is a single by American rock band Y&T. It was released as the first single from their first live album Open Fire. It later reappeared on their seventh studio album Down for the Count. The song became the band's biggest hit, as well as their first and only single to chart on the Billboard Hot 100, peaking at number 55. [3]
As Meniketti has said in numerous radio, television, and magazine interviews over the past five decades, it was the new record deal ("which took forever" [to secure] [5]) in 1980 with A&M Records that prompted the band to shorten their name to simply Y&T, which was influenced by their encores where fans would chant, "Y&T, Y&T, Y&T." [6] [3]
Down for the Count is the seventh studio album by American hard rock/heavy metal band Y&T, released on November 9, 1985, by A&M Records. The album marks the band's change to a lighter sound to find success in the hair metal scene. [3] It contains the band's biggest hit "Summertime Girls", which charted at #55 on the Billboard Hot 100.
Open Fire is the first live album released by American hard rock/heavy metal band Y&T, released in 1985 by A&M Records, produced by Scott Boorey and the band.. The live material on the album was recorded at various venues in Greater London in early 1985, and during April 5–6, 1985, at the Keystone club in Palo Alto, California.
Jesus (/ ˈ dʒ iː z ə s /) is a masculine given name derived from Iēsous (Ἰησοῦς; Iesus in Classical Latin) the Ancient Greek form of the Hebrew name Yeshua (ישוע). [ 1 ] [ 2 ] As its roots lie in the name Isho in Aramaic and Yeshua in Hebrew, it is etymologically related to another biblical name, Joshua .
"At the Name of Jesus" is a hymn with lyrics written by Caroline Maria Noel. It was first published in 1870, in an expanded version of Noel's collection The Name of Jesus and Other Verses for the Sick and Lonely. At the time, Noel herself experienced chronic illness, which persisted until her death.
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"How Sweet the Name of Jesus Sounds" is a hymn by the evangelical Anglican cleric John Newton. It was published in Olney Hymns in 1779. [1] Of a metaphorical nature, it focuses on the power of the name of Jesus. [2] It is often sung to the tune of Saint Peter by Alexander Reinagle and less frequently to Ortonville by Thomas Hastings. [3]