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There are many styles of northern mexican folk music, among the most popular being Ranchera, Corrido, Huapango, Chotís, Polka, Redova and Banda. Norteño folk music is some of the most popular music in and out of Mexico, with Corridos and Rancheras being specifically popular in Chile, Colombia, United States, Central America and Spain. [7]
The 91 songs of the Cantares form the largest Nahuatl song collection, containing over half of all known traditional Nahuatl songs. It is currently located in the National Library of Mexico in Mexico City. A description is found in the census of prose manuscripts in the native tradition in the Handbook of Middle American Indians. [1]
The regional music of Mexico City includes danzon, a Cuban style of music which also developed in Mexico City (in El Salón México) and Veracruz. It is comparable to tango for its elegance and complex structure. Cha-cha-cha is also an important style which was played a lot in the past century, it was very popular in Mexican films.
The Billboard Regional Mexican Songs is a subchart of the Latin Airplay chart that ranks the best-performing songs on Regional Mexican radio stations in the United States. Published weekly by Billboard magazine, it ranks the "most popular regional Mexican songs, ranked by radio airplay audience impressions as measured by Nielsen Music". [1]
Son Huasteca trio at the Alfredo Guati Rojo National Watercolor Museum in Mexico City. Son mexicano (Spanish: [ˈsom mexiˈkano]) is a style of Mexican folk music and dance that encompasses various regional genres, all of which are called son.
Son jarocho ("Veracruz Sound") is a regional folk musical style of Mexican Son from Veracruz, a Mexican state along the Gulf of Mexico.It evolved over the last two and a half centuries along the coastal portions of southern Tamaulipas state and Veracruz state, hence the term jarocho, a colloquial term for people or things from the port city of Veracruz.
Backstage at a celebration of Indigenous peoples in Mexico City's sprawling central square, Carlos CGH traced his fingers across a black and red “gabán,” which is similar to a poncho. The ...
They became one of the most popular native pop acts in Mexico in the 1960s. [1] [2] Their biggest success, however, came in the 70s, when they stopped covering foreign songs as they started to record their own songs. "¿Por qué?" and "Cómo sufro" were number-one hits in Mexico in 1972 and 1974 respectively.