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Black gospel music, often called gospel music or gospel, is the traditional music of the Black diaspora in the United States.It is rooted in the conversion of enslaved Africans to Christianity, both during and after the trans-atlantic slave trade, starting with work songs sung in the fields and, later, with religious songs sung in various church settings, later classified as Negro Spirituals ...
Download QR code; Print/export ... Pages in category "African-American spiritual songs" The following 53 pages are in this category, out of 53 total. ... Song of the ...
Handel's Messiah: A Soulful Celebration is a gospel album by various artists, released in 1992 on Warner Alliance.Executive produced by Norman Miller, Gail Hamilton and Mervyn Warren, it is a reinterpretation of the 1741 oratorio Messiah by George Frideric Handel, and has been widely praised for its use of multiple genres of African-American music, including spirituals, blues, ragtime, big ...
"Lift Every Voice and Sing" is a hymn with lyrics by James Weldon Johnson (1871–1938) and set to music by his brother, J. Rosamond Johnson (1873–1954). Written from the context of African Americans in the late 19th century, the hymn is a prayer of thanksgiving to God as well as a prayer for faithfulness and freedom, with imagery that evokes the biblical Exodus from slavery to the freedom ...
Alvin Ailey made "Rocka My Soul in the Bosom of Abraham" [4] the music for the triumphant finale of his internationally known choreography Revelations, which was born out of the choreographer's "blood memories" of his childhood in rural Texas and attending the Baptist Church with his mother. [5]
Ezekiel Saw the Wheel", often given as "Ezekiel Saw de Wheel" is an African American spiritual. The song's music and text has no known author, but originated among enslaved African-Americans on Plantation complexes in the Southern United States sometime in the early 19th century. The lyrics to the song are based on Chapter I of the Book of Ezekiel.
Its melody is searching, simple, major key, and has simple lyrics. [3] "Let us break bread together" follows in the tradition of most Black spirituals. Black spirituals were mostly composed by African slaves who had no training in western music. [2] The tune varied but became known widely after publication in The Second Book of Negro Spirituals ...
[2] [3] [4] In 1940, it was included in the Episcopal Church hymnal, making it the first spiritual to be included in any major American hymnal. [5] [6] It is also unique in that it is the only African-American song included in the Catholic Church's Liturgy of the Hours.