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Wagner’s piece was made popular when it was used as the processional at the wedding of Victoria the Princess Royal to Prince Frederick William of Prussia in 1858. [ 1 ] The chorus is sung in Lohengrin by the women of the wedding party after the ceremony, as they accompany the heroine Elsa to her bridal chamber.
Music can be used to announce the arrival of the participants of the wedding (such as a bride's processional), and in many western cultures, this takes the form of a wedding march. For more than a century, the Bridal Chorus from Wagner's Lohengrin (1850), often called "Here Comes The Bride", has been the most popular processional, and is ...
The Bridal Chorus, from Richard Wagner's opera Lohengrin, used as wedding processional music; The "Wedding March", from Felix Mendelssohn's incidental works (Op. 61), used as wedding recessional music; Wedding Song, orchestral work by Elisabetta Brusa; Hochzeits-Lied (Wedding Song), by Kurt Weil from The Threepenny Opera
Felix Mendelssohn's "Wedding March" in C major, written in 1842, is one of the best known of the pieces from his suite of incidental music (Op. 61) to Shakespeare's play A Midsummer Night's Dream.
A processional hymn, opening hymn, or gathering hymn is a chant, hymn or other music sung during the Procession, usually at the start of a Christian service, although occasionally during the service itself. The procession usually contains members of the clergy and the choir walking behind the processional cross. [1]
"Mairi's Wedding" (also known as Marie's Wedding, the Lewis Bridal Song, or Scottish Gaelic: Màiri Bhàn "Blond Mary") is a Scottish folk song originally written in Gaelic by John Roderick Bannerman (1865–1938) for Mary C. MacNiven (1905–1997) on the occasion of her winning the gold medal at the National Mòd in 1934.