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Peter Engel (born 1959) is an American origami artist and theorist, science writer, graphic designer, and architect. He has written several books on Origami, including Origami from Angelfish to Zen, 10-Fold Origami: Fabulous Paperfolds You Can Make in Just 10 Steps!, and Origami Odyssey.
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To entertain Molly, the two read Fun with Paperfolding (1928), an early instructional book on origami—then more commonly known as paper folding—written by the magicians William D. Murray and Francis J. Rigney. [3] [4] [a] Because the book's instructions were difficult to understand, Kruskal did not learn the more complicated pieces. After ...
Kōshō Uchiyama – Sōtō priest, origami master, and abbot of Antai-ji near Kyoto, Japan, and author of more than twenty books on Zen Buddhism and origami Miguel de Unamuno – Spanish essayist, novelist, poet, playwright and philosopher who devised many new models and popularized origami in Spain and South America.
Almost every origami book has basic instructions and a set of folding symbols. The following are books that happen to have detailed explanations of these techniques, and how the techniques are related to each other: David Lister (29 February 2024). "The Origin of Origami Symbols". British Origami Society. Robert J. Lang (1988).
In the United States, the term kirigami was coined by Florence Temko from Japanese kiri, ' cut ', and kami, ' paper ', in the title of her 1962 book, Kirigami, the Creative Art of Paper cutting. The book achieved enough success that the word kirigami was accepted as the Western name for the art of paper cutting.
Geometric Origami is a book on the mathematics of paper folding, focusing on the ability to simulate and extend classical straightedge and compass constructions using origami. It was written by Austrian mathematician Robert Geretschläger [ de ] and published by Arbelos Publishing (Shipley, UK) in 2008.
Maying Soong's 1948 book, The Art of Chinese Paper Folding, helped popularise recreational paper folding in the 20th century, and was possibly the first to distinguish the difference between Chinese versus Japanese paper folding – where the Chinese focus primarily on inanimate objects, such as boats or pagoda, the Japanese include representations of living forms, such as the crane. [4]