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[80] However, since the mid-1980s, Russian gothic fiction as a genre began to be discussed in books such as The Gothic-Fantastic in Nineteenth-Century Russian Literature, European Gothic: A Spirited Exchange 1760–1960, The Russian Gothic Novel and its British Antecedents and Goticheskiy roman v Rossii (The Gothic Novel in Russia).
Thomas M. Disch, The Priest: A Gothic Romance (1994) Fyodor Mikhailovich Dostoyevsky, The Double (1846), The Landlady (1847), Bobok (1873) and The Brothers Karamazov (1880) Arthur Conan Doyle, Lot No. 249 (1892) Daphne du Maurier, Jamaica Inn (1936), Rebecca (1938) and My Cousin Rachel (1951) George du Maurier, Trilby (1894)
Also, one cannot ignore the contemporary Gothic themes of mechanism and automation that rationalism and logic lead to. Puritan imagery, particularly that of Hell, acted as potent brain candy for 19th-century authors like Edgar Allan Poe and Nathaniel Hawthorne. [2]
Pages in category "Writers of Gothic fiction" The following 156 pages are in this category, out of 156 total. This list may not reflect recent changes. A.
Matthew Gregory Lewis (9 July 1775 – 14 or 16 May 1818) [1] was an English novelist and dramatist, whose writings are often classified as "Gothic horror". He was frequently referred to as "Monk" Lewis, because of the success of his 1796 Gothic novel The Monk. He also worked as a diplomat, politician and an estate owner in Jamaica.
Shirley Jackson is one of the iconic writers of horror of the 20th century, and her final novel, We Have Always Lived in the Castle, is a gothic masterpiece. The story follows 18-year-old Merricat ...
Ann Radcliffe (née Ward; 9 July 1764 – 7 February 1823) was an English novelist, a pioneer of Gothic fiction, and a minor poet.Her technique of explaining apparently supernatural elements in her novels has been credited with gaining respectability for Gothic fiction in the 1790s. [1]
The Turn of the Screw is an 1898 gothic horror novella by Henry James which first appeared in serial format in Collier's Weekly from January 27 to April 16, 1898. On October 7, 1898, it was collected in The Two Magics, published by Macmillan in New York City and Heinemann in London.