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The subject of his Impromptus, Op. 5, is a melody by Clara Wieck, and that of the Études symphoniques, Op. 13, is a melody by the father of Ernestine von Fricken, Schumann's first fiancée. The slow movements of Schumann's piano sonatas Opp. 11 and 22 are paraphrases of own early songs.
Finally, the vast majority of performances of Mozart piano concertos heard today are recorded rather than live, with the net effect of flattering the piano's sound (i. e. the blending of the piano and orchestra is harder to achieve in the studio than in the concert hall); hence, continuo playing by the soloist in recordings might be too ...
Since Lady Gaga's "Bad Romance" in 2009, every video that has reached the top of the "most-viewed YouTube videos" list has been a music video. In November 2005, a Nike advertisement featuring Brazilian football player Ronaldinho became the first video to reach 1,000,000 views. [ 1 ]
The 50 Greatest Pieces of Classical Music is a compilation of classical works recorded by the London Philharmonic Orchestra with conductor David Parry. [2] Recorded at Abbey Road Studios, Royal Festival Hall and Henry Wood Hall in London, the compilation was released in digital formats in November, 2009 and as a 4-CD set in 2011. [3]
The first movement opens with an andante clarinet solo, a long, lyrical melody that the whole orchestra eventually picks up and expands. The strings begin the allegro section with a scalar passage which seems to accelerate towards an upwards glissando climax, at which point the allegro entry of the solo piano unexpectedly breaks the lyrical mood in an exuberant, harmonically fluid burst of ...
Performance Today was created by National Public Radio (NPR), and went on the air in 1987. The program was founded by NPR vice president for cultural programming Dean Boal, who gave Performance Today its name, and who, along with NPR colleagues Doug Bennet, Jane Couch, Ellen Boal, and retired Baldwin Piano Company president Lucien Wulsin, secured the series' initial funding.
Of all the revisions Rachmaninoff made to various works, this one was perhaps the most successful. Using an acquired knowledge of harmony, orchestration, piano technique and musical form, he transformed the early composition into a concise, spirited work. [3] Nevertheless, he was perturbed that the revised work did not become popular with the ...
The piano starts to play very low notes during the theme introduced by the strings and clarinet. In this first section, while the melody is stated by the orchestra, the piano takes on the role of accompaniment, [95] consisting of rapid oscillating arpeggios between both hands which contribute to the fullness and texture of the section's sound ...