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Hallelujah! was recorded during the Mormon Tabernacle Choir's 2015 Christmas shows in the LDS Conference Center, with special guests Broadway star Laura Osnes, actor Martin Jarvis, and guest soloists from the Metropolitan Opera (Erin Morley, Tamara Mumford, Ben Bliss, Tyler Simpson).
The Christmas discography of The Tabernacle Choir at Temple Square, a 360-member all-volunteer choir consists of at least six studio albums, at least eleven live albums, and many compilation albums. The choir is part of the Church of Jesus Christ of Latter-day Saints .
"Hallelujah!" is a 1992 song from Handel's Messiah: A Soulful Celebration, a Grammy award winning Reprise Records concept album. The song is a soulful re-interpretation of the "Hallelujah" chorus from Messiah , George Frideric Handel 's well-known oratorio from 1741.
Artists including Chuck Berry, B.B. King, and Bruce Springsteen have covered this R&B Christmas standard, but Otis Redding's version is hard to beat. See the original post on Youtube "Silver Bells ...
Hallelujah shows up just four times in the New Testament, all in the Book of Revelation. All four come at the climax of the text, when God delivers his people from the destructive power of Babylon.
Hallelujah. Part II closes with the Hallelujah chorus which became famous as a stand-alone piece, set in the key of D major with trumpets and timpani. The choir introduces Hallelujah, repeated in homophony, in a characteristic simple motif for the word, playing with the interval of a second, which re-appears
Christmas Extraordinaire is Mannheim Steamroller's sixth Christmas album overall and the group's fourth Christmas studio album. The album was originally released in 2001. The song "O Tannenbaum" features a lead vocal by Johnny Mathis. Five of the album's tracks were included in the group's 2004 compilation Christmas Celebration.
Handel's Messiah: A Soulful Celebration is a gospel album by various artists, released in 1992 on Warner Alliance.Executive produced by Norman Miller, Gail Hamilton and Mervyn Warren, it is a reinterpretation of the 1741 oratorio Messiah by George Frideric Handel, and has been widely praised for its use of multiple genres of African-American music, including spirituals, blues, ragtime, big ...