Search results
Results From The WOW.Com Content Network
Gwendolen Avril Coleridge-Taylor was born in South Norwood, London, the daughter of composer Samuel Coleridge-Taylor and his wife Jessie Walmisley, who had met as students at the Royal College of Music. She had an older brother, Hiawatha. [1] On 19 April 1924, Coleridge-Taylor married Harold Dashwood, in the Croydon parish church. She initially ...
Avril Coleridge-Taylor: United Kingdom Royal Albert Hall, Royal Marines, Coleridge-Taylor Symphony Orchestra 1903 1998 First female conductor of the H.M.S Royal Marines. Guest conductor, BBC Symphony Orchestra and London Symphony Orchestra [24] Catherine Comet: France Grand Rapids Symphony, American Symphony Orchestra: 1944 Jessica Cottis ...
The couple had a son, named Hiawatha (1900–1980) after the poetic figure, and a daughter Gwendolen Avril (1903–1998). Both had careers in music: Hiawatha adapted his father's works. [10] Gwendolen started composing music early in life, and also became a conductor-composer; she used the professional name of Avril Coleridge-Taylor.
Avril Coleridge-Taylor, (1903–1998), English pianist, conductor, and composer, daughter of Samuel; Coleridge-Taylor Perkinson (1932–2004), American composer;
All new articles must satisfy Wikipedia's notability criteria with reliable independent ... Avril Gwendolen Coleridge-Taylor (b. 1903) conductor, composer; Alma ...
The poem, originally called Absence: A Poem describes Coleridge's moving to Ottery in August 1793 but claimed later in life that it dated back to 1792. The poem was addressed to a girl he met during June, Fanny Nesbitt, and is connected to two other poems dedicated to her: "On Presenting a Moss Rose to Miss F. Nesbitt" and "Cupid Turn'd Chymist".
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Donate
Coleridge was personally affected by the idea of Chatterton's death and how the poet was ruined by debt. Of the later point, Coleridge knew of poverty affecting many poets that he admired along with having a lot of experience with his own debt and poverty. [24] The second edition shows a stronger influence of Gray and the elegy form.