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Kawaii (Japanese: かわいい or 可愛い, ; "cute" or "adorable") is a Japanese cultural phenomenon which emphasizes cuteness, childlike innocence, charm, and simplicity.
Patterns often have their origins in early ideographs. Geometric patterns and patterns of plant, animal and nature motifs are the four most basic patterns. Geometric patterns include triangles, squares, diamonds, zigzags, latticework, frets, spirals sawteeth, circles, ovals and concentric circles. Stone Age rock carvings feature animal designs ...
The original matryoshka set by Zvyozdochkin and Malyutin, 1892. The first Russian nested doll set was carved in 1890 at the Children's Education Workshop by Vasily Zvyozdochkin and designed by Sergey Malyutin, who was a folk crafts painter in the Abramtsevo estate of Savva Mamontov, a Russian industrialist and patron of arts.
Juan Sánchez Cotán, Still Life with Game Fowl, Vegetables and Fruits (1602), Museo del Prado, Madrid. A still life (pl.: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or human-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.).
Aesthetics (also spelled esthetics) is the branch of philosophy concerned with the nature of beauty and the nature of taste and, in a broad sense, incorporates the philosophy of art. [1]
In 1964, the leg-baring mini-skirt was introduced and became a white-hot trend. Fashion designers then began to experiment with the shapes of garments: loose sleeveless dresses, micro-minis, flared skirts, and trumpet sleeves. Fluorescent colors, print patterns, bell-bottom jeans, fringed vests, and skirts became de rigueur outfits of the 1960s ...
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The adaptation of the wave print is said to add a decorative look and feel to the painting, without which the work might be much more alarming to the viewer. [41] Lichtenstein even made the connection between Drowning Girl's arabesque waves and "the Art Nouveau aesthetic". [56] Regarding this work, Lichtenstein stated: [48] [57]