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The terms symphony orchestra and philharmonic orchestra may be used to distinguish different ensembles from the same locality, such as the London Symphony Orchestra and the London Philharmonic Orchestra. [note 2] A symphony or philharmonic orchestra will usually have over eighty musicians on its roster, in some cases over a hundred, but the ...
The Symphonic Repertoire, Volume II: The First Golden Age of the Viennese Symphony: Haydn, Mozart, Beethoven, and Schubert. Bloomington and London: Indiana University Press. ISBN 978-0-253-33487-9. Brown, A. Peter. 2007. The Symphonic Repertoire, Volume III, Part A: The European Symphony from ca. 1800 to ca. 1930: Germany and the Nordic ...
A pops orchestra is an orchestra that plays popular music (generally traditional pop) and show tunes as well as well-known classical works. Pops orchestras are generally organized in large cities and are distinct from the more " highbrow " symphony or philharmonic orchestras which also may exist in the same city.
Symphony – Large-scale composition, typically for an orchestra and often in four movements. Choral symphony – Symphony that incorporates a choir and vocal soloists along with the orchestra. Program symphony – Symphony with an extra-musical narrative guiding its structure and nature.
The Royal Festival Hall, London, the main base of the orchestra. The London Philharmonic Orchestra (LPO) is a British orchestra based in London.One of five permanent symphony orchestras in London, the LPO was founded by the conductors Sir Thomas Beecham and Malcolm Sargent in 1932 as a rival to the existing London Symphony and BBC Symphony Orchestras.
Like an oratorio or an opera, a choral symphony is a musical work for orchestra, choir and (often) solo voices, although a few have been written for unaccompanied voices. [1] Berlioz, who in 1858 first coined the term when describing his work Roméo et Juliette, explained the distinctive relationship he envisaged between voice and orchestra:
Sergei Prokofiev called his work for cello and orchestra Symphony-Concerto, stressing its serious symphonic character, in contrast to the light character of the Classical period sinfonia concertante. Benjamin Britten's Cello Symphony and Ellen Taaffe Zwilich's Symphony No. 2 also showcase a solo cello within the context of a full-scale symphony.
[17] Another important technique of Mozart's orchestration was antiphony, the "call and response" exchange of musical motifs or "ideas" between different groups in the orchestra. In an antiphonal section, the composer may have one group of instruments introduce a melodic idea (e.g., the first violins), and then have the woodwinds "answer" by ...